<font size="2" face="Verdana, Helvetica, sans-serif">joker mood lately eh> [img]rolleyes.gif[/img]Quote:
Yeah Bingo was definately more musical than animal, even with those banana splits glasses.
While I don't have nothing against Marco I don't think his playing is that much originial in concepts, neither execution of technique, The flow of the ideas isn't as pleasant to the ears as Bozzio's, granted Bozzio has being working at this for what 20 years now, and certainly has as much energy as Marco(for his age!). But make no doubt about it when it combes to interdependicies on the kit, the guy is one of the most advanced i've seen. Rhythmic possibilities; playing odd yet melodic meters among different limbs over 4/4 and pushing the limits of what can be done by two hands and two feet on a drum kit, reverse flam paradiddles on both hands and feet, double stroke grooves and fills on the double kick pedals, triplets, quintuplets, seven-uptlets.
The camera angles on the DVD capture that greatly(THANK GOD u know what I mean!). It's sort of watching a perfect girl, u just don't know what u should focus on, you maybe interested in his left foot clave action while totally missing out on sum insane crazy tom-fill/crash accent. While talking about hand technique he uses finger stick control for parts that need speed and Moeller if he is playing something that needs speed and dynamics (like a fast melodic pattern on the toms).
